What
Terry Johnson and Sara Bergsmark have worked professionally as producers with institutions throughout Sweden and in various freelance constellations over the past ten years. Now we’re joining forces creating a space for long term processes as well as specific projects within our own company structure. Together we produce, program, curate and care - for the work that we do, the people we do it alongside and the ecology of the field. Feel free to reach out!
Where & when
January
Diving into both application season and our inboxes. Teaching at Stockholm University of the Arts. Spending time with Adam Seid Tahir and the new work Dawn in technical residency at Dansens Hus and Stina Fors new work Spöka in residency at MDT.
+ free palestine
February
Continuing production with Adam, Stina and Marcus Baldemar for the return of Sex & Tornedalen at MDT. Teaching at Stockholm University of the Arts and doing a workshop session at SITE. Spending time at Folk & Kultur and participating in two seminars. Bringing back Ofelia Jarl Ortegas Casino with four shows at MDT.
+ dreaming about Interrail trips for the summer
March
Joining Philip Berlin in the studio with the new work Le Exposé. Showing Marcus Baldemar’s Sex & Tornedalen at MDT and premiering Spöka by Stina Fors at Imagetanz in Vienna.
+ longing for spring way to early i.e right on time
April
Premiering L’Exposé by Philip Berlin at Dansens Hus. Touring with Ofelia Jarl Ortega and Casino to Dansehallerne, Copenhagen, and more locally with Lisen Rosell’s Blomsterkiosken to Salong Central in Gnesta and Teater Tribunalen in Stockholm. Staying in production with Adam Seid Tahir and Dawn.
+ being fools/fooled
May
Premiering Dawn by Adam Seid Tahir at MDT.
+ chasing sunbeams again
June
Going to Östersund for Scenkonstbiennalen. Working with fun projects and seeing wonderful art at MDT run festival Lustholmen. Presenting a local Butiken version of Ludvig Daae’s Spiti in Hörken.
+ Tending to the garden in Hörken, preparing for summer
July
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See our archive for previous seasons here.